A Look Back on OBS

We saw the e-wave coming over thirty years ago and are working today to help publishers adapt to and profit from new internet-based publishing opportunities. Read the below excerpt from a “What’s New” OBS posted over ten years ago; you will see that OBS has a strong working knowledge not only of the traditional publishing industry, but also a hands-on understanding of the technology that is changing our industry so profoundly. We are committed to helping publishers thrive and grow stronger during the sea changes that continue to roil around us.

Excerpt from “What’s New” printed out and distributed at Book Expo America,

April 19, 2001

Thanks to the Internet, the act of publishing is evolving rapidly from a product-based business, operating in an economy of scarcity, to a business where authors and publishers offer readers personalized and customized access to real-time ideas and information. Ideas that are intangible, yet infinitely traceable as they cluster into memes, are copied, aggregated, learned from, repurposed, and reread. Ideas that are immediate and ephemeral, yet also persistent. The Internet endures, eradicating the boundaries between news flash and archives, between front list and out-of-print, yet tantalizing us every moment with “what’s new.”

What to make of it all? Publishers are what they do, not necessarily only what they manage to sell. Effective publishers give value and authenticity to authors’ ideas—independent from the media in which those ideas are conveyed. Our business models need to change to reflect a new exchange of values, among author, publisher, and reader, yet must continue to evolve in response to the internet working of all things digital. As we experiment with new business models to supplement outdated per-copy models, and begin to map the distributive architecture of the Internet to our own publishing processes, one thing becomes clear: the key word is “control.” For publishers today, that means control of online content.

-Laura Fillmore
President, OBS

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Birthday Wishes to a Fiction Icon

Today, August 22, American fiction legend Ray Bradbury turns 91. Having penned such stories as Fahrenheit 451, The Illustrated Man, The Martian Chronicles, and Something Wicked This Way Comes, Ray Bradbury has entertained and inspired countless readers since the 1930’s and is still writing today. Today, on his birthday, his semi-autobiographical novel Dandelion Wine was picked up by Phoenix Pictures to become a feature film. Upon hearing this, he responded: “This is the best birthday gift I could ask for. Today, I have been reborn!” Also in celebration, Amazon is offering Ray Bradbury’s The Playground, a short story, as a Kindle download for 91₵.

There is an alarming absence of Ray Bradbury e-books available on the internet, but that is due to Bradbury’s own wishes—he doesn’t like e-readers, and has gone on record as to say that e-books can “go to hell.” He prefers to dream that technology be used to propel mankind to the stars as he imagined in The Martian Chronicles in 1950.

Bradbury has received such honors as the French Commandeur Ordre des Arts et des Lettres medal, the U.S. National Medal of Arts, and has even had an asteroid named after him. He is also the namesake of the Ray Bradbury Award, presented by the Science Fiction and Fantasy Writers of America for screenwriting. Ray Bradbury survives a wife of fifty-six years and has four daughters. Everyone at OBS wishes him a fantastic birthday and many more years of fantastical writing.

Links:
http://www.raybradbury.com/ – Official website
http://en.wikipedia.org/wiki/Ray_Bradbury – Ray Bradbury, Wikpedia
http://www.cinemablend.com/new/Ray-Bradbury-s-91st-Birthday-Present-A-Movie-Adaptation-Of-Dandelion-Wine-26352.html – Movie News, CinemaBlend.com
http://www.timeslive.co.za/scitech/article606747.ece/eBooks-can-go-to-hell–Ray-Bradbury – Sci-tech News, Times Live August 17, 2010

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Defining Book Value: When Money Gets in the Way

Apple is standing alongside five major publishing houses at the defendant’s table for allegedly conspiring to raise e-book prices. HarperCollins, Hachette, Macmillan, Penguin, and Simon & Schuster are on the stand defending themselves against allegations that Apple aided them in pushing Amazon away from their standard $9.99 price point for newly released and bestselling Kindle books. According to the lawsuit, Apple and the other publishers were concerned that Amazon’s low prices would cut into their own profitability and would challenge the success of Apple’s iPad as a rival e-reader. With a new agency model from Apple, Amazon would not be allowed to sell e-book titles at prices lower than what the publishers listed on the iPad—prices much closer to those of actual printed books.

The class action antitrust lawsuit brings into question the inherent value of books. E-books don’t require physical manufacturing (paper, printing, binding), handling, shipping, or even shelf space―which was probably part of what prompted Amazon to set their price point so low in the first place, listing titles at frequently up to a third of what a new released hardcover would cost. But the question remains, where does the value of a book lie: in the content, or in the corporeal manifestation thereof? As e-books evolve, perhaps new interactive functionality and content—impossible to replicate in the physical copy—could someday lead to electronic editions costing more than tangible publications.

Questions of intrinsic value will likely stay in the background of the deliberations while Apple and publishers face charges of violating the Sherman Antitrust Act and several other federal laws for undercutting competitive business practices in preference to a monopolistic enterprise and conspiring to artificially raise prices. We at OBS plan to pay close attention to the lawsuit’s debates and the imminent future of e-books.

Links:
http://arstechnica.com/tech-policy/news/2011/08/class-action-suit-targets-apple-and-five-publishers-for-price-fixing.arsLaw and Disorder news, Ars Technica
http://www.bisg.org/news-5-546-press-releaseagency-model-now-accommodated-in-book-industry-standard-for-product-information.phpBISG press release, “Agency model”
http://en.wikipedia.org/wiki/Competition_law#United_States_antitrust – Competition law/United States Antitrust, Wikipedia

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Push Pop Press gets Pushed Out of Publishing

Social networking giant Facebook acquired iPad publisher extraordinaire Push Pop Press this past Tuesday. For Push Pop Press founders and ex-Apple engineers Mike Matas and Kimon Tsinteris—and for Facebook and its users as well—this means only good things. Push Pop’s wildly innovative interactive e-book technology used on the iPad and iPhone is going to do wonders for Facebook’s web design and iPad strategy, and Facebook is giving the hardworking creators money well deserved to help FB position itself another step ahead in the ever-changing social networking world.

But what does this mean for the “Press” part of Push Pop Press? As the publishers of former Vice President Al Gore’s latest publication, the iPad app Our Choice, what is their next step in affordably making authors’ and artists’ works into highly interactive apps? The unfortunate answer: There isn’t one. Push Pop Press will buttress Facebook’s interactivity, and Our Choice will be their only release as a private company, with all future profits going toward Gore’s Climate Reality Project.

We at OBS congratulate Facebook and Push Pop Press and wish them luck. Though we are sad to see Push Pop’s talent cross over the corporate divide and disappear from the world of independent e-publishing, we appreciate the thrilling challenge before these creative digital publishers as they will now have access to the vast and ever-evolving multimedia content base at Facebook, whose millions of users worldwide grant that private company  “… a non-exclusive, transferable, sub-licensable, royalty-free, worldwide license to use any IP content that [they] post on or in connection with Facebook (IP License)…”*—a treasure trove of raw materials with which to redefine publishing yet once more.

Links:

*http://www.facebook.com/terms.php — Facebook’s Terms of Use

http://www.wired.com/epicenter/2011/08/this-is-why-well-never-have-innovative-e-books/Epicenter blog, Wired magazine

http://bits.blogs.nytimes.com/2011/08/02/why-did-facebook-buy-an-e-book-publisher/Bits blog, The New York Times

http://www.guardian.co.uk/technology/pda/2011/aug/03/facebook-push-pop-press-ebooksPDA blog, The Guardian (UK)

http://pushpoppress.com/about/ — Official Push Pop Press website

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